1. |
Necropolis
06:03
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2. |
Descending Skies
02:18
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3. |
Joy Of Life
08:02
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4. |
Parallel
05:03
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5. |
Dominion
16:18
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6. |
Recursion
05:39
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supported by 9 fans who also own “The Holy Testament 2”
Saw them in Copenhagen Sep 11, 2023... for the fourth time. Blows my mind every time
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supported by 9 fans who also own “The Holy Testament 2”
All I can really say is THANK YOU Dylan & co. for bringing new,amazing,dense,deep and interesting music into my life.I first heard about Earth through listening to Mark Lanegan 's book "Sing Backwards and Weep",the mention from Mark and also learning of he and Dylan's closely honed friendship and brotherhood of many years peaked my interest and I knew eventually I'd be embarking on this journey of interdimensional sound."Primitive and Deadly" is a masterpiece!!!!!
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Solstitium Fulminate
by SUNN O)))
supported by 9 fans who also own “The Holy Testament 2”
"Recorded during SUNN O)))s European tour 2005, culminating at Roskilde Festival, Denmark" : laissez-moi vous dire qu'il n'y a pas que cette tournée qui arrive à son point culminant mais aussi Sunn O))) d'un point de vue général car Solstitium Fulminate, qui sert d'appendice à Black One, est un monument qui conjugue noirceur vampirique avec une certaine forme d'absolu. Le ton musical plonge très vite dans les graves pour nous faire entrer dans le royaume de la mort. Attila Csihar est un Charon.
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Danish avant-garde crew SVIN explore far-out new lands on their latest, the sound of a galaxy folding in on itself in cut time.
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ELEGI
by SVIN & Århus Sinfonietta
The Danish avant-garde rock trio join forces with a classical music ensemble for this harrowing LP, a dronescape inspired by grief.
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Camisole Records reissues a gorgeously euphoric experimental techno underground classic from producer Takayuki Shiraishi.
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Angels Of Darkness, Demons Of Light I
by Earth
supported by 9 fans who also own “The Holy Testament 2”
Un retour aux sources qui n'en est pas un : par rapport à son prédécesseur qui comptait pas moins de dix instruments différents, Angels Of Darkness, Demons Of Light I n'en contient que quatre, mais il n'est pas question de revenir vers le drone d'il y a quinze ans en arrière. Quand je parle de retour aux sources, c'est parce que Earth se place entre la culture américaine et africaine et que son drone est teinté de blues. Les notes ondulent et claquent, Earth improvise : c'est charnel et spatial.
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